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» How to Write for Children and win over Parents
By Barbara Gabogrecan | Published 03/26/2006 | Children's Writing | Unrated
You need to understand what the children want from reading and what their parent's want. Keeping the children happy and enjoying the story while enticing their imagination and appealing to their creative spirit is essential. But what is it that will make the parents purchase the book? Parents are also looking for books that will give some educational benefit to the child. It is obvious that new words and ideas are educational in themselves, but parents often want something more constructive - they want a way to measure the success of the book, to the educational value to their children.
» Writing a Child Story: 8 Elements to Consider
By Paul Arinaga | Published 03/26/2006 | Children's Writing | Unrated

#1: Theme

A good child story has an underlying theme. The underlying theme of "Peter and the Wolf," for example, is "don't tell lies" or "be honest." The underlying theme of "The Sneetches" by Dr. Seuss is "don't be racist" or "all (Sneetches) are created equal." A theme can be the moral of the story, or an insight or viewpoint that the story conveys. Common themes are courage, love, perseverance, friendship, etc.

As an underlying theme, the theme usually emerges subtly as the story unfolds. A direct statement of the theme usually comes across as preachy and uninteresting. Remember what your high school English teacher used to say: "show, don't tell!" Also, keep your theme positive and constructive. Your story may be sad, but make sure it's not negative, cynical or depressing!

» Publishing Child Book? Top Ten Tips for Writing Book Pitches
By Paul Arinaga | Published 03/26/2006 | Children's Writing | Unrated

#1 -- Grab their attention in 10 seconds or less

10 seconds. That's how much time many editors say they spend per submission when they're screening.

The first sentence of your pitch is the first thing that an editor will read, and if it doesn't grab their attention, it will be the last thing the editor reads. Make sure to stimulate their curiosity (without being "cute" or "evasive") so that they want to read the rest of your pitch and then your manuscript. Remember that your letter may be vying with a huge stack of other such letters in the harried editor's "slush" pile. Don't be boring!



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